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英語 高校生

赤い下線のところがどういう構造になっているか分からないです、教えてくださいm(_ _)m

moving from " (1) 点) There are historians and others who would like to make a neat division between "historical facts" and "values." The trouble is that values even enter into deciding what count as facts-there is a big leap involved in 'raw data" to a judgement of fact. More important, one finds that the more complex and multi-levelled the history is, and the more important the issues it raises for today, the less it is possible to sustain a fact-value division. But this by no means implies that there has simply to be a conflict of prejudices and biases, as the data are manipulated to suit one worldview or another. What it does mean is that the self of the historian is an important factor. The historian is shaped by experiences, contexts, norms, values, and beliefs. When dealing with history, especially the sort of history that is of most significance in philosophy, that shaping is bound to be relevant. As far as possible it needs to be articulated and open to discussion. The best historians are well aware of this. They are alert to many dimensions of bias and to the endless (and therefore endlessly discussable) significance of their own horizons and presuppositions. A great deal can of course be learned from those who do not share our presuppositions. Our capacity to make wise, well-supported judgements in matters of historical fact and significance can only be formed over years of discussion with others, many of whom have very different horizons from our own. It is possible to I have a 12-year-old chess champion or mathematical or musical genius, but it is unimaginable that the world's greatest expert on Socrates could be that age. The difficulty is not just one of the time to assimilate information; it is (2)

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英語 中学生

添削お願いします🙇🏻‍♀️՞ 写真は左から、原文、問題、自分の解答です。 模範解答は、 D.Why don't you ask my mother and grand mother? E.They will tell you more about my red kimono... 続きを読む

(Nana is showing Kate a photo at home.) Kate: You are wearing a red kimono in this photo. Nana: Thank you. My mother took it at my uncle's wedding. Kate: The flower pattern on your kimono is amazing. Nana: That's true. It's my family's precious kimono. Kate: Why is the kimono precious? Nana: Actually, is bought my grandmother I this the kimono ] for my mother thirty years ago. Kate: Oh, you used your mother's kimono. Nana: Yes, but she gave it to me last year. So the kimono is ( @). Kate: Why did your mother give it to you? Nana: This red kimono has long sleeves. She thinks this kind of kimono is for young people, so she doesn't wear it now. Kate: I have a ( ℗ ) experience. My mother has a nice dress in her closet, but she doesn't wear it. I always wear it when I go to birthday parties. Nana: I'm sure your friends like the dress. Kate: Thanks. When I wear it, ⠀ Nana: : The designs of old clothes are different from the new ones, right? み Kate: Yes! I think wearing used clothes is fun. ( © ), wearing other people's clothes isn't easy because of the size. Actually, my mother's dress was large for me, so she adjusted it. Who adjusted your kimono? Nana: B Sonimom vis ns diwalls of WH Kimono has a simple shape, so it can be used easily by different people. Kate: Interesting. Kimono is not only beautiful but also functional. Nana: Right, so I love kimono. I'm glad to give my red kimono a new life. Kate: C Nana: If I wear my red kimono, it will have more chances to get out of the closet like your mother's dress. Kate: That's a good idea to use the kimono again. smozgnilos ayoung H Nana: I'll wear it on special days!

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