Ｈ （9）の文です 実際の子供時代と私の子供時代はなにがちがうんですかね？そもそもこれ文構造がむずいんで解説してほしいです

(H) 出題内容 同義文選択 正解はア。 下線部(9)の文頭のItは,直前の最終段落第1文 (Looking back, I...) の my childhood を 指している。 could は 「・・・し得る」という意味合いの可能性を表す用法で,かつ could not have been の部分は仮定法になっている(この表現については,全文解説 <第1段落 > ③も参照)。 happier という比較級の比較対象 (than...) は 「筆者の実際の子ども時代」であ り、全体として「それ (私の子ども時代)は,実際にそうであった以上に幸せな時ではあ り得なかっただろう」という意味になる。 これは要するに「筆者の子ども時代は最高に幸 せだった」 ということなので,アが内容的に最も近い。 なお, アの more than は形容詞・ 副詞 名詞 動詞などの前に置かれ、「・・・以上であるとても・・・である」という意味を表す。 (例) Many people more than despised the unfair system. 「多くの人がその不当な制度をき わめて悪していた」 よってアは「私は自分の子ども時代がとても楽しかった」 という意 味になる。 ⋅ イは「私は子どものころからずっと幸福だ」という意味。 ウは「私の子ども時代は、よ り幸福ではなかったかもしれない」 という意味。 エは「私の子ども時代は決して満足のい くものではなかった」という意味 (far from... は 「... どころではない 決して･･･ではない」 という意味)。 いずれも上記の内容とは合わない。 最初にあるジャーナリストから 「あなたはきっと生まれた日に星くずを振りかけられたの “しょうね」と言われたとき、私はくすくす笑いが止まらなかった。 そんなばかげた言い回 それまでに聞いたことがなかったし くすくす笑いは、 照れたり不安になったり圧倒さ たりすると私がいつもしていることなのだ。 しかし彼女が立ち去った後、あれが私が恵ま ているという彼女なりの言い方だったとすれば、全く同感だと私は思った。 私は非常に この点で恵まれてきた。母と父と素敵な妹ローラが私の人生にいてくれたことに恵まれ、 ホールズの小さな町ニースで生まれたことに恵まれ、そしてとても多くの夢を私が叶えら とに恵まれてきたのだ。 a close-knit community and, however far its residents may travel to fulfil their various destinies, friends remain friends for life. Wherever I travel and put down roots in the future, it will always be my true home. Looking back, I wouldn't change a single thing about my childhood. not have been a happier time. (注) Neath ニース (ウェールズの都市) er she'd left, it, I thought I couldn't It could (9)

154.155の答えであるwho.whichはどちらもthatに代用可能だと思うのですが、この問題にthatを選んでも正解になるのでしょうか？who.whichがあるのにthatを選ぶのはアウトですか？

154 The boy ( 000 超定番 ① what ③ who ⑤ why I thought was a friend of mine proved to be a stranger. ② which ④ whose 154 「 (武蔵大学) 由 Last summer, I paid a visit to Athens, () is the capital of Greece. 155 000 ① it ③ where ② that ④ which 156 (東京経済大学)

接続詞の問題です、答えあってますでしょうか33、38番の訳がわかりません😭😭

WE DA 33. ( ) I started watching the tennis final, I could not do anything else until it ended. ④ Once だれ ③ For ① Althought ② During ) he is so talented, he cannot finish all the work he has now. 34. ( ① Despite 35. ( ② Because 3 Since ) she is short, she runs faster than any other student in my class. ① Even ② Therefore ① even if 36. I go jogging every morning, ( たとえ でも② except for ・キリスト ② despite <近畿大 ) < 神奈川大 > ⑦Although ④ Although ~だけれども ③ Thoughだけれど ④ If 〈杏林大〉 実際に雨が降っても降らなくてもジョギング 容が事実かわからない < 岩手医科大 > ~ 3 even thought ) they are not Christians. 4 unless < 金城学院大 〉 it's rainingy ③ in spite of ④ although 37. Many Japanese have a Christian style wedding, ( ①1 as if 38. ( ) as she was, Rosamond had no choice but to agree to his offer. 形 as SV ① According 2 As well lende③3 Known 誰も1人であるきたがらない! Reluctant 譲歩を表す〈松山大) - ~したくないSは~であるけれども 39. That road is ( ) nobody wants to walk along it. so+形 or 副 that ~ 1 so dangerous that ② such dangerous as とても~なので)(8 ③ very dangerous that such dangerous that 〈大東文化大 > ecal'him such a 形名 that 40. John was ( ) a good runner that we could nof catch ① enough 自分のコントロールを失うくらいおこっていた ③ such ② so 41.( ) was my anger that I lost control of myself. ① So 2 Such ver③Very とても~なので 4 very <東京理科大 > such that ~ほど AS 4 Great <福岡大〉

英訳問題なのですが減点箇所等あれば教えて頂きたいです。よろしくお願いいたします。

2 次の下線部を英訳せよ。 late at hight 先日夜更けに本を読んでいると、どこかで足音らしいものが聞こえたような気がした。 耳を澄ませても家の中はことごとく寝静まっているようだし, 外には風もなかった。 wondered if I'd just imagined it. The other day. when I read the book at late at night I thought that I heared some thing like foot Steps... I listened carefully, but everyone in my house seemd to sleep soundly and there was ho wind out side.

英語コミュニケーションⅡの「ムジナ」の本文から解く問題です (1) 結衣が私たちに昨日話してくれたのはこのようなものですか。 (2) 私の父が私に何をくれたかあなたに見せましょう 本文中の表現を使って英語にせよ。 (1) What did the soba-se... Read More

教科書 p.73 The merchant ran up Kiinokunizaka. Surrounded by the darkness, he was scared and could not look back. After a while, at last, he saw a lantern up ahead. It looked like the faint light of a firefly. It turned out to be the lantern of a soba-selling stand. 和 The merchant threw himself down at the feet of the soba-seller and cried out, "Ah! Ah!! Ah!!!"016 見 言 和訳 商人は紀伊国坂をかけ登った。 暗闇に包まれて、怖くて振り返って見るこ とができなかった。 しばらくして、ついに, 商人は前方にちょうちんを見つ けた。 ホタルのかすかな光のように見えた。 それはそばを売り歩く屋台のち ょうちんであることがわかったのだ。 語 WI an hu no 商人はそば売りの足もとに, 身を投げ出して声をあげた。 「ああ! ああ!! ああ!!!」 語句と解説 run up~ ~をかけ登る look like ~ ~のように見える surrounded by the darkness be scared 怖い 暗闇に包まれて look back 振り返って見る after a while しばらくして at last ついに lantern ちょうちん ahead 前方に faint light かすかな光 firefly ホタル turn out to be ~ ~であることがわかる soba-selling stand そば売りの屋台 throw oneself down at ~ ~に身を投げ出す at the feet of ~ 〜の足もとに cry out 声をあげる 教科書 p.74 "What happened?" said the soba-seller. "Did anybody hurt you?” "No, nobody hurt me," said the merchant, breathing heavily. "Only scared you?" said the soba-seller calmly. “Robbers?" "Not robbers, not robbers," said the merchant. "I saw a woman by the moat. She showed me Ah! I cannot tell you what she ・・・・ showed me!"

英語コミュニケーションⅡの「ムジナ」の本文から解く問題です (1) 結衣が私たちに昨日話してくれたのはこのようなものですか。 (2) 私の父が私に何をくれたかあなたに見せましょう 本文中の表現を使って英語にせよ。 (1) What did the soba-se... Read More

教科書 p.73 The merchant ran up Kiinokunizaka. Surrounded by the darkness, he was scared and could not look back. After a while, at last, he saw a lantern up ahead. It looked like the faint light of a firefly. It turned out to be the lantern of a soba-selling stand. 和 The merchant threw himself down at the feet of the soba-seller and cried out, "Ah! Ah!! Ah!!!"016 見 言 和訳 商人は紀伊国坂をかけ登った。 暗闇に包まれて、怖くて振り返って見るこ とができなかった。 しばらくして、ついに, 商人は前方にちょうちんを見つ けた。 ホタルのかすかな光のように見えた。 それはそばを売り歩く屋台のち ょうちんであることがわかったのだ。 語 WI an hu no 商人はそば売りの足もとに, 身を投げ出して声をあげた。 「ああ! ああ!! ああ!!!」 語句と解説 run up~ ~をかけ登る look like ~ ~のように見える surrounded by the darkness be scared 怖い 暗闇に包まれて look back 振り返って見る after a while しばらくして at last ついに lantern ちょうちん ahead 前方に faint light かすかな光 firefly ホタル turn out to be ~ ~であることがわかる soba-selling stand そば売りの屋台 throw oneself down at ~ ~に身を投げ出す at the feet of ~ 〜の足もとに cry out 声をあげる 教科書 p.74 "What happened?" said the soba-seller. "Did anybody hurt you?” "No, nobody hurt me," said the merchant, breathing heavily. "Only scared you?" said the soba-seller calmly. “Robbers?" "Not robbers, not robbers," said the merchant. "I saw a woman by the moat. She showed me Ah! I cannot tell you what she showed me!" ・・・・

これにS(主語),V(動詞)をつけてくれませんか。😭😭

READING Tly man 西洋の玄関ドアと日本の玄関ドアの違いは? CD1 11~13 13 11 I have been interested in doors for many years. 12 The front doors in Western countries open inward. But in Japan most of them open outward. Why do Japanese doors open outward and Western doors open inward? Have you ever thought about this? invite A young Japanese architect gave me an interesting answer to this 5 question. He said, "In Western countries, people open the doors inward to ite others into their houses. When you open the door outward, visitors many years we na have been have to move away from the door. In Japan, for using sliding doors. Even now, many old Japanese houses still have sliding front doors. When we started to use Western doors in Japan, we had to open 10 ebem blog 01, djiw Snow, them outward. You know, in Japan we take off our shoes when we go into our houses. If we try to open the front door inward, what will happen to all those shoes? We open the door outward to make a place for our shoes." Our way of living has changed the doors in Japan. They are only doors, but they are part of Japanese culture. Us 15 918 y9dT (t)

1と2の訳し方教えてください🙏

Santa Claus is generally thought to be an old man wearing a white suit. 2 Dutch people had the habit of putting on their shoes by the fireplace. (

①赤いマーカーで引いてある部分（3箇所）の文構造 ②2枚目の写真の赤く囲んであるtoについて訳し方、用法等 ③2枚目の写真の、赤いアンダーラインが引いてあるin existanceの訳し方等 以上の３つを解説いただきたいです🙇たくさんすみません💦よろしくお願いします🙏

Note: This is not a word-for-word transcript. Neil Hello. This is 6 Minute English from BBC Learning English. I'm Neil. Beth And I'm Beth. Neil Shhh! Quiet please! I'm trying to read here, Beth! Beth Oh, excuse me! I didn't know this was a library. Neil Well, what exactly is a library? Have you ever thought about that? Beth Well, somewhere with lots of books I suppose, where you go to read or study. Neil A symbol of knowledge and learning, a place to keep warm in the winter, or somewhere to murder victims in a crime novel: libraries can be all of these things, and more. Beth In this programme, we'll be looking into the hidden life of the library, including one of the most famous, the Great Library of Alexandria, founded in ancient Egypt in around 285 BCE. And as usual, we'll be learning some useful new vocabulary, and doing it all in a whisper so as not to disturb anyone! Neil Glad to hear it! But before we get out our library cards, I have a question for you, Beth. Founded in 1973 in central London, the British Library is one of the largest libraries in the world, containing around 200 million books. But which of the following can be found on its shelves. Is it: a) the earliest known printing of the Bible? b) the first edition of The Times' newspaper from 1788? or, c) the original manuscripts of the Harry Potter books? Beth I'II guess it's the first edition of the famous British newspaper, 'The Times'. Neil OK, Beth, I'll reveal the answer at the end of the programme. Libraries mean different things to different people, so who better to ask than someone who has written the book on it, literally. Professor Andrew Pettegree is the author of a new book, 'A Fragile History of the Library'. Here he explains what a library means to him to BBC Radio 3 programme, Art & Ideas: Andrew Pettegree Well, in my view, a library is any collection of books which is deliberately put together by its owner or patron. So, in the 15th century a library can be 30 manuscripts painfully put together during the course of a lifetime, or it can be two shelves of paperbacks in your home. Beth Andrew defines a library as any collection of books someone has intentionally built up. This could be as simple as a few paperbacks, cheap books with a cover made of thick paper.

線を引いたところの訳し方を丁寧に教えて頂きたいです🙇‍♀️

L American poet Ralph Waldo Emerson once said, "Every artist was first an amateur." He likely never thought those words would apply to machines. Yet artificial intelligence (AI) has demonstrated a growing talent for creativity, whether writing a heavy-metal rock album or producing an original portrait that is strikingly similar to a Rembrandt. Applying AI to the art world might seem unoriginal; there are, of course, plenty of humans delivering awe-inspiring work. Supporters say, however, the real beauty of training AI to be creative does not lie in the end product-but rather in the technology's potential to expand on its own machine-learning education, and to solve problems by thinking in different ways far faster and better than humans can. For example, creative problem-solving AI could someday make snap decisions that save the lives of the passengers in a self-driving car if its sensors fail. AI with a creative component will be essential in developing highly automated systems that can respond appropriately to human life, says Mark Riedl, an associate professor at Georgia Institute of Technology's School of Interactive Computing. "The fact is, we do lots of little bits of creativity every single day; lots of problem-solving goes on," Riedl says. "If my son gets a toy stuck under the couch, I have to devise a tool from a hanger to get it out." Riedl points out human creativity is also important in human social interactions, even telling a well-timed joke or recognizing a pun. Computers struggle with such subtleties. An incomplete understanding of how humans construct metaphors, for example, was all it took for an experiment in Al-generated literature to compose a new Harry Potter chapter filled with nonsensical sentences such as, "The floor of the castle seemed like a large pile